COMPETITIVE EDGE
FOR YOUNG CLASSICAL SINGERS!

INAUGURAL ISSUE

Your competitive edge! The newsletter with powerful guidance from a singers’ manager, who cares about YOU! Welcome to the inaugural issue of SingingAndYOU Showcase, your high-performance secret weapon for advancing your professional career!

I’m Gretchen Greenfield, successful classical singer turned Artistic Consultant for Vocal Artists Management Services. So happy you’re here!

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Showcasing YOU!

We feature one selected classical singer per issue, including a sample of his/her singing. You may request to be featured (embed link), so lots more people will begin to appreciate you as much as I do!

Practical solutions for the challenges of getting ahead in our industry:

Finding the auditions you want
Deciding which concert repertoire to prepare for auditions
Reliable vocal health advice
Valuable intel for conquering the obstacles facing young singers today
Plus subscriber feedback!

PRIVATE CONSULTATIONS

INTRODUCING
SOPRANO DAWNA RAE WARREN

Dawna is one of our newest members of the Emerging Artists Division here at Vocal Artists Management Services (VAMS). Extremely lucky and proud to be associated with her magical, versatile artistry and her lovely down-to-earth personality!

A recent graduate of University of Colorado (Boulder) Artists Diploma program (2023), Dawna also has a Bachelor of Music degree from Baldwin Wallace College and a Masters in Music from University of Kentucky.

One frustration felt by many young singers is perfectly expressed by Dawna: I’m pretty freshly out of school, and most of my performance opportunities have come out of recommendations and positive experience from working with me before. It seems I am viewed as a “no-brainer, hire her again!” — but not always a “who is she? Lets give her a chance!”

This is only a matter of perseverance — assuming you have a great voice teacher and are having regular lessons. Hang in there and keep singing for everyone who will hear you. That low-humming buzz you hear means that someone is deciding to take a chance on you!

Let’s listen to Dawna’s brilliant performance of Musetta, Act 2 of La Boheme, in which Musetta sings Quando m’en vo’.

Vocal Vitals
Your Vocal Health Comes First!

Fall allergies, anyone? Scratchy throat, excess mucus, sapping your strength? This could help!

Natural Remedies for Singers’ Allergies

Finding Auditions

A somewhat off-the-beaten track website for finding auditions is Audition Oracle. Yes, it requires a small subscription fee. But you are likely to discover auditions that often are not listed elsewhere, including musical theatre auditions and listings for teaching jobs. You can build your own profile page on Audition Oracle, so others can discover you. Most of us are familiar with ClassicalSinger.net, which is also a subscription-based source of audition listings. But Audition Oracle is kind of a best-kept secret. Our represented singers love it!

Another source of auditions, if you’re not already aware, is here.

Watching Your Wallet

Do you have a recital booked out of town? Paying your accompanist’s travel expense is frequently a deal-breaker. What are your options?

First, ask the good people who have engaged you if they might suggest a good local accompanist. Of course any musicians you know who live within a reasonable distance should be asked as well. The largest church(es) in town will likely employ the finest organists. You might ask if he/she accompanies singers’ recitals.

When your recital program requires travelling, another choice for hiring an accompanist is locating one through PianoAccompanist.com. Search by name of town or zip code.

You’re okay to ask for a reference, before spending your money. If you do select an accompanist this way, you will want to communicate with him/her early on, preferably weeks before the performance. Ask well in advance to meet over the internet, so you can listen to him/her play the accompaniments for your program. This should tell you whether you have the right person, or whether you should find a different accompanist.

Faced with the latter situation, you certainly do not want to be scrambling at the last minute. For the sake of your performance, plan ahead. Consider arriving a day prior to the performance, so you have ample time to rehearse. Remember, a recital accompanist is your duo partner. The quality of your performance depends upon creating a great ensemble!

Reader Feedback

Good question from a subscriber:
How should I select young artist apprentice programs to apply for?

My view is word of mouth referral is usually much better than being enticed by advertisements. First, I recommend asking voice teachers and style coaches which programs they believe are best and why. Also, think of which friends or acquaintances have recently completed a program you are considering. We singers love to talk, so you are likely okay to ask if he or she will tell you whether or not they benefited from the experience.

Here is a wonderful article on the topic, by Metropolitan Opera bass David Leigh.

And here is a listing of YAPs offered by Opera America, according to various career levels:

Sending you warm wishes and tons of good luck!